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Velodrome, you are a circle that never apologises.
No corners to hide in. No exits mid-sentence. You receive riders only if they agree to your terms: speed, commitment, repetition. Once entered, you do not loosen your grip.

Here, air becomes density. It thickens with velocity, presses against the chest, sculpts the face. Breath is no longer expansive or expressive. It is measured, rationed, folded neatly into cadence. The faster I go, the quieter it becomes, as if sound itself is ironed flat.

Velodrome, you are discipline without spectacle. You turn the fixed gear into a law-abiding instrument, stripped of irony, stripped of rebellion. The same drivetrain that whispers defiance on the street becomes here a metronome, a judge, a mirror.

You teach the rider that freedom can exist inside constraint. That choice can survive repetition. That the purest confrontation is not with the city or the weather, but with one’s own capacity to hold speed, line, and nerve inside a perfect, unbroken curve.

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